Somehow everything got clipped while recording this episode, so it sounds kinda shitty. Sorry about that. No idea what happened. On the bright side, there’s a brand new Kyle Bobby Dunn piece, a collaboration between Visions & Phurpa, 4 new (and 1 recent) releases from Thrill Jockey, and all sorts of other great stuff.

Also, I opened with playing Bloodyminded as the background music, but that didn’t work very well, so I flipped the record and started with Damion Romero, but the songs are short and they blend together with no delineation, so I’m not sure how far into the tracklist I got, hence the “maybe Burning Star Core.”
 

Air date: May 9, 2018

Background music: Bloodyminded, Damion Romero, Dead Machines, maybe Burning Star Core – Untitled (from AA Compilation Volume 1)

00:00:00 Ennio Morricone – Prohibition Dirge (from Once Upon A Time In America Soundtrack)
00:04:19 Talk break
00:07:17 Wrekmeister Harmonies – Forgive Yourself And Let Go / The Alone Rush (from The Alone Rush)
00:28:53 Mclusky – To Hell With Good Intentions (from Mclusky Do Dallas)
00:31:18 Talk break
00:35:35 Kyle Bobby Dunn – The Searchers (J Hodge Horse’s Drone Song Longue) (from KBD / WRT split)
00:37:50 Cyril J. Cousins – Side B (from Beginning Self Defense For Girls And Women)
00:55:31 The Body – The West Has Failed (from I Have Fought Against It, But I Can’t Any Longer)
00:59:03 Talk break
01:01:17 Sarah Louise – Up On The Ridge (from Deeper Woods)
01:08:39 Khamis El Fino – Selection 3 (from Music For The Classical Oud)
01:10:10 Visions & Phurpa – Fohat (from Monad)
01:22:36 Riley Kelly Lee – Ajikan (from Shakuhachi Honkyoku)
01:24:00 Joseph Wood Krutch & The Cornell Laboratory Of Ornithology – Side B (excerpt) (from Bird Songs In Literature)
01:29:39 Talk break
01:34:11 YoshimiO, Susie Ibarra, & Robert Aiki Aubrey Lowe – Side D (from Flower Of Sulphur)
01:36:05 No artist – Side B (from The Frog Pond)
01:49:41 Philip Sainton & Louis Levy – Moby Dick (from Moby Dick Soundtrack)
01:57:05 The Body & Full Of Hell – Didn’t The Night End (from Ascending A Mountain Of Heavy Light)
02:01:59 Talk break
02:04:10 Blind Lemon Jefferson – Rabbit Foot Blues (from The Immortal Blind Lemon Jefferson)


 
That RLYR record finally landed and it’s definitely one of my favorite things from this year. Check out the interview I did with them and read a few words about how crazy good Actual Existence is over here. The Thailand field recordings next to Aufgehoben’s harshness was maybe a little much, but the Aelter & L’Ordre Chazili D’Egypte mix was quite excellent.
 

Air date: May 2, 2018

Background music: Sculpture – Slime Code 3 (from Slime Code)

00:00:00 Alan Lomax – The Dying Cowboy (from Texas Folk Songs)
00:03:27 Talk break
00:07:43 RLYR – L. Layer (from Actual Existence)
00:16:28 Quincy Jones – Need To Be Needed / Up Against The Wall (from The Lost Man Soundtrack)
00:24:31 George Buck / George Green / George Buck & Jake Henry / Alex General / Alex General / Huron Miller / George Buck, Jake Henry, Huron Miller, & Hubert Buck – The Rain Dance Part 1 / The Rain Dance Part 2 / The Fish Dance / The Corn Dance / Nigahnegaô / Gacowa / False Faces (from The Columbia World Library Of Folk And Primitive Music – Vol. VIII – Canada)
00:31:48 Talk break
00:37:27 Svarte Greiner – Black Tie (from Black Tie)
00:39:18 Trini Lopez / Office Of Minority Business Enterprise / U.S. Department Of Commerce – Public Affairs Program (from The President’s Minority Business Enterprise Recognition Awards Program: First Annual Presentation Ceremony)
00:57:37 Jessye Norman – I Couldn’t Hear Nobody Pray (from Negro Spirituals)
01:00:50 Talk break
01:03:08 Unknown Thailand musicians – Side B (from Thailand: Its Music & Its People)
01:07:10 Aufgehoben – Solar Ipse / Avant Primitiv / Nō Prozess (from Anno Fauve)
01:23:39 Paul Clayton And The Foc’sle Singers – Captain Nipper (from Foc’sle Songs And Shanties)
01:31:17 Talk break
01:34:25 L’Ordre Chazili D’Egypte – Deuxième Partie (from L’Insad De La Vie Du Prophète Mohammad – Musique Soufi Vol. 5)
01:36:24 Aelter – Beloved (from Aelter II: Follow You Beloved)
01:56:33 Ryuichi Sakamoto – The Last Emperor Theme (from The Last Emperor Soundtrack)
02:02:26 Talk break
02:04:05 Mogwai – Pripyat (from Atomic)


 
Clint HeidornPalm Nocturne (Ashes Ashes)

If you haven’t been anxiously awaiting a proper LP follow-up to Clint Heidorn’s Atwater from 2011, then this might not seem like anything special, but let me assure you this is A Momentous Occasion. Pasadena has been many years in the making, and it shows, it sounds like Heidorn put every scrap of his soul into this record, it’s full of tenderness and melancholy, a brooding dark folk that’s lush with every instrument he had at his disposal, a kitchen-sink approach to a typically stripped down genre, making for an exceptional & wholly unique sound, like Dirty Three on a dirge binge with a bittersweet drone winding through the sunken melodies, this is where you go after you’ve hit rock bottom depression, crawled your way out and plateaued at a sullen new normal, accepting that the brief slivers of sunlight peaking through the muted fog are the best that Life has to offer. Pasadena is fucking incredible and absolutely worth the wait. He only pressed 134 copies, and it’s been out since early February, so you know what to do.


 
It didn’t last very long, but the time when Wroom and Ali Akbar Khan overlapped was pretty excellent. And please please PLEASE check out the new record from A Story Of Rats. It’s one of the best things I’ve heard this year.
 

Air date: April 18, 2018

Background music: Bolder – Extraterrestrial Deactivity (from Hostile Environment)

00:00:00 Big Joe Williams & Sonny Boy Williamson – I Won’t Be In Hard Luck No More (from Blues Classics 21)
00:02:34 Talk break
00:07:05 A Story Of Rats – Horn Of Silver (from The Immeasurable Spiral)
00:22:17 Fever Ray – To The Moon And Back (from Plunge)
00:26:53 Talk break
00:31:41 L’Ordre Chazili D’Egypte – Al-Dhikr (from Al Hadra: Musique Soufi Vol. 4)
00:34:03 Duane Pitre – Side B (from Bayou Electric)
00:55:59 Mount Eerie, Julie Doiron, & Fred Squire – Grave Robbers (from Lost Wisdom)
00:58:03 Talk break
01:01:23 Theologian – The Truthseeker’s Pick (from A Means By Which To Break The Surface Of The Real)
01:03:51 Jimmy Swaggart – Side A (from The Ring Of Fire)
01:23:00 Indricothere – X (from II)
01:30:25 Talk break
01:33:15 Reverend Gary Davis – Birdshead Special (from Sun Is Going Down)
01:38:13 Tony Schwartz – Music In Speech (from New York 19)
01:40:46 Ustad Ali Akbar Khan – Raga Gauri Manjari (from Master Musician Of India)
01:43:07 Ryuichi Sakamoto & Alva Noto – The Revenant Main Theme Atmospheric (from The Revenant Score)
01:47:45 Wroom – Conical Muse (from North Of Forty-Five)
02:00:07 Talk break
02:02:36 Ethel Profit – What Time Is It? (from Time Will Make A Change)


 
Very very psyched about the new Panopticon double-album. Also, realized I hadn’t played any Alice Coltrane in a while, so I had to remedy that.
 

Air date: April 11, 2018

Background music: Telecult Powers – A Wish For Ouisch (from Black Meditations)

00:00:00 Charley Patton – Some These Days I’ll Be Gone (from Found Of The Delta Blues)
00:03:13 Talk break
00:07:15 Panopticon – En Hvit Ravns Død (from The Scars Of Man On The One Nameless Wilderness Part 1)
00:16:59 Alice Coltrane – Ihs (from Huntington Ashram Monastery)
00:25:42 TALsounds – Grace (from Love Sick)
00:31:26 Talk break
00:34:42 Robedoor – Burning Man (from Burners)
00:36:18 Stanley Z. Daniels – Side B (from Sex For Teens (Where It’s At))
00:55:09 Dream Weapon Ritual – Two Little Sparrows Sitting On A Bough And Waiting For Enlightenment (from The Uncanny Little Sparrows)
01:00:17 Talk break
01:02:14 Rajdulari Aliakbar Khan – Raga Kirwani (from Raga Kirwani / Raga Imni Bilawal)
01:03:50 Billy Gomberg – Side A (from False Heat)
01:22:36 Panopticon – Four Walls Of Bone (from The Scars Of Man On The One Nameless Wilderness Part 2)
01:30:31 Talk break
01:33:56 Merkstave – Spawn Of A Lower Star (from Merkstave)
01:48:10 Bishop Perry Tillis – Silent Night (from In Times Like These…)
01:53:17 Mogwai – 1000 Foot Race (from Every Country’s Sun)
01:57:40 Talk break
02:00:18 Unknown Madras, India musicians – Tamil Folk Song (from Folk Music Of India)


 
Pretty psyched to have that old Stars Of The Lid on vinyl as well as the new Geography Of Hell vinyl debut (which worked quite nicely being played alongside a General MacCarthur speech). Also, this marks the first time I’ve ever played a Top 40 artist on A Thick Mist.
 

Air date: April 4, 2018

Background music: Harald Grosskopf – 1847 – Earth (from Synthesist)

00:00:00 The Fugs – Kill For Peace (from The Fugs)
00:02:07 Talk break
00:05:27 Geography Of Hell – Hiroshima 1945 Part II (from Hiroshima 1945 / Nagasaki 1945)
00:07:20 Douglas A. MacArthur – Side B (from Speech To Congress April 19, 1951)
00:23:28 Ash Pool – Holocaust Temple (from For Which He Plies The Lash)
00:28:28 Talk break
00:32:15 Stars Of The Lid – The Better Angels Of Our Nation / Cantus II; In Memory Of Warren Wiltzie (from Gravitational Pull Vs. The Desire For An Aquatic Life)
00:36:48 Unknown Israeli family – Side A (from Hagadah: A Yemenite Home Passover)
00:54:57 The Singing Sisters Of St. Chretienne – Hear My Call (Ps. 26) (from To God With Love)
00:57:26 Talk break
01:01:44 Debu Chaudhuri – Raga Maru-Behag (from Sitar Nawaz)
01:03:49 Frederick Glaser, Ronnie Litvack, Robert Borriello, & Horace Smith – Side A (from Drugs Won’t Get It, People Will)
01:25:13 Inna Baba Coulibaly – Sidi Modibo (from Every Song Has Its End: Sonic Dispatches From Traditional Mali)
01:30:21 Talk break
01:33:54 Velvet Cacoon – Perched On A Neverending Peak (from Dextronaut)
01:43:34 Jimi Hendrix – Drone Blues (from Nine To The Universe)
01:49:50 Dino Spiluttini – Downer (from Modular Anxiety)
01:56:53 Talk break
01:59:27 Unknown Pikílío musicians – Two Songs Of Despair (from Music From Saramaka: A Dynamic Afro-American Tradition)


 
The new Hell record finally got pressed to vinyl, the new Mount Eerie record landed, and I had a good time mixing a speech from the founder of transcendental meditation with a Sikh morning prayer and the drone of Yoshi Wada’s homemade bagpipe.
 

Air date: March 28, 2018

Background music: Russell Haswell – Nutrino Hunter (from 37 Minute Workout)

00:00:00 Winifred Smith – Eggs And Marrowbone (from Folk Songs Of The South)
00:02:56 Talk break
00:06:26 Sandy Bull – Electric Blend (from E Pluribus Unum)
00:28:07 Triumvir Foul – Hedonistic Prayer – The Abhorrent Depths Of Perversion (from Triumvir Foul)
00:32:07 Talk break
00:35:08 Maharishi Mahesh Yogi – Side B (excerpt) (from The Seven States Of Consciousness)
00:36:26 Bhai Tarlochan Singh Ragi – Japji Sahib (from Japji And Raehraas)
00:39:06 Yoshi Wada – Bagpipe (excerpt) (from The Lament For The Rise And Fall Of The Elephantine Crocodile)
01:01:30 Talk break
01:04:59 Mount Eerie – Now Only (from Now Only)
01:10:47 Hell – Helmzmen (Hell)
01:20:17 Neuter River – Untitled (B4 & B5) (from Neuter River)
01:29:02 Talk break
01:32:10 Essa Kassimi – Rag Bairami (from Le Luth Afghan)
01:35:00 William C. Kuzell – Side B (from Osteoporosis: The Most Prevalent Bone Disease)
01:54:43 Washington Phillips – What Are They Doing In Heaven Today? (from Washington Phillips And His Manzarene Dreams)
01:57:58 Talk break
01:59:34 Jean & Lee Schilling – Good Friday (from Porches Of The Poor)

Photo credit: Michael Vallera

 

RLYR is one of the best new bands around. I fucking love these guys. Made of up Colin DeKuiper (Bloodiest), Steven Hess (Locrian, Pan-American, Cleared), and Trevor de Brauw (Pelican, Chord), their debut Delayer landed at #2 in my 2016 year end metal list. When they toured that record, they played a bunch of songs from the then-untitled follow up record. They’re already at work on the third record but now the second one is titled (Actual Existence) and coming very soon via The Flenser on April 13th. DO NOT MISS THIS. It’s fucking incredible and uncategorizable, like some sort of heavy power-pop math-metal emo post-rock mutant. This is so much better than Delayer, it’s more intricate, loaded with more hooks and more surprising climaxes that reach higher levels of transcendence. Take Delayer, run it through an intensifier, a tightener, and an identity solidifier, and you’ve got Actual fucking Existence.

These three dudes are unbelievably talented on their own and know exactly what they’re doing here. I love em to death. I’m super psyched to have them contribute to my Q&A series. Go pre-order Actual Existence first, then come back here and read about the time Steven almost fell to his death, the time Colin was almost robbed inside his own house, and why Trevor thinks death is so annoying.

 
What is an ideal death?
Colin: The bishop/priest/father (forgive me) in Caddyshack.

Steven: Something pain-free or damn close too pain-free. Sudden death when I’m not expecting it. Possibly a heart attack that happens just after I reach the summit of a mountain I’ve just spent the day hiking to the top of. I just cracked open a good beer (and have a drink), take in the amazing view, and POW!… I drop dead. I just don’t want a death that involves fire or sharks.

Trevor: I don’t know that there is one. Death seems hopelessly inconvenient, there’s more than a lifetime’s worth of things to accomplish and I can’t imagine not being irritated by death bringing everything to a premature end.
 
What makes you happy?
Colin: I think it might be purpose, but unfortunately that hasn’t always come as a singular ingredient.

Steven: Many things, but right off the top of my head… Friends, loved ones, and the surprise of what will happen tomorrow and every day that follows. Music makes me very happy, and that I’m able to play music with others, both friends and strangers. I consider myself very lucky that I’m able to do that.

Trevor: Coffee, music, hugs from my family.
 
How can you die happy?
Colin: Hmmmm.

Steven: Painlessly, at the end of a long and full life.

Trevor: Probably only way for this to happen is to die completely unexpectedly. As I referenced before dying is a real annoyance to me, so I hope to be blissfully unaware when my life ends.
 
How close have you come to death?
Colin: It has always been transportation related. A few times I have felt in control with the acknowledgement that things could go south fast. These have always been weather related in brutal storms. They induce adrenaline and a little bit of crazy.

I can also think of at least two instances of incredibly close calls that could have ended me in horrific car/bike accidents within inches. Those didn’t have any feelings of control. Those moments do go into slow motion, but you walk away from those with the ability to process that you couldn’t have exercised any escape other than luck.

Steven: I’ve had a couple close calls. One I think of from time to time is when I was in my late teens and living in Colorado, a group of us would always go up to the Colorado National Monument to hike around, get high and drink beer. One day we all climbed up on this rock formation that looked like a giant breast made of sandstone (I think we even called it “the nipple.” Genius, I know) that was on the edge of a canyon. You could gain access to this formation from one side, climbing up and zigzagging your way to the top, but on the other side it was a straight drop down for about 500 ft. This particular time everyone made it to the top and I was working my way around it and I lost my footing and started to slide down the one side that went nowhere but 500 ft down. I remember just staring at everyone as they rolled a joint or something and thinking this is it, so long. Then all of a sudden my sneaker grabbed onto a little rock that was sticking out and I stopped sliding. A couple friends formed a short human chain and pulled me up to safety and we sat there and had a beer. Ah… Black Label Beer, truly one of the worst.

Trevor: There have been some pretty harrowing drives on tour where it seemed like we might be close. I remember one time driving out of Denver in a blizzard – we were on the highway doing between 15 and 20 mph just barely maintaining enough traction to stay on the road when a truck sped past us in the left hand lane, apparently unaffected by the snow. About a mile later we passed that same truck, which had lost control and flipped over on its side. That was a long, anxious day.
 
How can you make your life better?
Colin: Trying. I feel like that gets more intentional over time too.

Steven: Get as far away from people as often as you can. Be creative. Focus on the simple things in your life that bring you joy and learn to repeat those thoughts or actions as often as you can. I’d imagine therapy helps as well.

Trevor: Being self-aware and living more inside the moment would be a start. The current era and its overabundance of information is a real stumbling block to simply being able to step back and contextualize one’s place in the world, which I think is pretty essential to living a decent life. Here’s hoping we all work through it.
 
What does kindness mean to you?
Colin: Generosity, authenticity, and empathy. Truly kind people genuinely want to understand.

Steven: Understanding, listening, and being willing to lend a helping hand when others are in need.

Trevor: Being aware of others and their feelings and respecting them.
 
Where do you find love?
Colin: It’s family and friends, but also the things that I love to do. Dogs too. I can’t say that I always believe them, but they do a good job of putting on a show of affection most of the time.

Steven: All around: in nature, in music, in art, but mostly at home.

Trevor: At home.
 
When were you most afraid?
Colin: A few weeks ago my wife and I were about to fall asleep on a Saturday night close to 2am after being out at a bar with friends when we heard our front door slam. Both of our dogs were with us upstairs and they went into high alert. We live in an older house with the typical noises, but nothing like this. This was aggressive. We have both seen our share of home invasion thrillers and it felt like we were now in one. Just like a character you’d yell at in the movies, I had no real weapons to grab (it was a golf club, no bullshit) while my wife called 911 and we both moved downstairs. I quickly scanned a few rooms before moving outside into the expanse of our street and surveyed the house from the road. Lying in front of the door was a particularly thick edition of the Sunday paper.

Steven: There have been a few in my life so far, but I’ll just give you this one weird experience I had. When I was 25 I was living in Portland, OR with some friends and band members in this creepy-ass house in the SW area of the city, just off of Burnside Street. This was definitely a house that could have been in a horror movie – old, dilapidated, uneven stone steps leading up to the front porch, a three-floor old gothic style home with a coach-house/garage in the back. Overgrown weeds and a yard that never seemed to grow.

Anyway, it was late at night and everyone was asleep and I went up to my room – which was pretty much a large closet with a window. I turned off the light and got in bed and I’m laying there on my back for several minutes and all of a sudden I had the sensation of someone pushing on my chest and head holding me down on the bed. There was also this feeling (and sound of) a strong force of wind blowing straight down on me (the window was only cracked in my room and it was a still night). I couldn’t see anything or hear anything for 10 or 15 seconds, but if felt much longer. As soon as it stopped there was a loud crashing sound in my room and I jumped straight out of bed and hit the light switch and found that the posters were ripped down the center, and the couple other things I had hanging on the walls had been knocked down and were on the floor. I got the hell out of my room and started banging on my friends bedroom door. I told him all about it, calmed down, and stayed up the rest of the night.

Trevor: I watched the ’70s version of Invasion of the Body Snatchers at some unreasonably young age and was definitely freaked the fuck out by it, which set off a lifelong love affair with horror.
 
How do you listen to music?
Colin: Anyway that I can, but I’m not a huge fan of live music at restaurants. This seems to be a thing where I live now and I don’t get it.

Steven: Live is the first choice for listening, enjoying, and discovering new music, but I can’t do that everyday or as much as I would like to, so I listen to a majority of my music at home in the evenings and weekends, and it’s usually LP or CD format. During the weekdays it’s mostly mp3s through headphones, or through a car stereo.

Trevor: Any and every way I can.


 
Got that new Vile Creature heaviness, plus UK Le Guin reading one of her fantastic short stories alongside YE Glotman’s acoustic wizardry, and Kevin Doria’s Total Life droning with Misra’s tabla tala.
 

Air date: March 21, 2018

Background music: WK569 – Part 3 (from Omaggio A Marino Zuccheri)

00:00:00 Sonny Terry – Chain Gang Blues (from Chain Gang Blues)
00:03:28 Talk break
00:07:05 Botanist – Quoth Azalea, The Demon (Rhododendoom II) (from III – Doom In Bloom)
00:20:19 Nasser Rastegar-Nejad – Janne Janan (from The Persian Santur: Music Of Iran)
00:31:58 Talk break
00:35:21 Yair Elazar Glotman – Veil (from Compound)
00:36:22 Ursula K. Le Guin – The Ones Who Walk Away From Omelas (from The Ones Who Walk Away From Omelas)
00:56:42 Talk break
00:59:45 Vile Creature – Forest, Subsists As A Tomb (from Cast Of Static And Smoke)
01:13:17 Total Life – Part 3 (from Ken Bradshaw)
01:13:55 Mahapurush Misra – Tal Roopam (from The Transcendental Tal)
01:24:34 Unknown Yoruba musicians – Igbin Drums Part 1 (excerpt) (from Drums Of The Yoruba Of Nigeria)
01:27:16 Unknown – Dance Of The Freaks (excerpt) (from Get Your Ass In The Water And Swim Like Me! Narrative Poetry from Black Oral Tradition)
01:31:03 Talk break
01:36:45 Spektr – The Art To Disappear (from The Art To Disappear)
01:47:26 Adriano Zanni – Dreams And Falling Trees (from Disappearing)
01:57:46 Luella Miller – Peeping At The Rising Sun Blues (from Luella Miller 1926-27)
02:00:55 Talk break
02:03:26 Hermes Nye – The Buffalo Skinners (from Frontiers)


 
Got a couple old Three Lobed jams, some Christian organ played by a child, Marine Corps training, the new Summoning, and some old Tuareg folk.
 

Air date: March 7, 2018

Background music: Jon Porras – Into Midnight (from Black Mesa)

00:00:00 The Hodges Brothers – The Leaves Is Falling On The Ground (from Watermelon Hangin’ On The Vine)
00:01:31 Talk break
00:05:55 Nihill – Gnosis Pt. III (from Krach)
00:22:25 Unknown musicians from Eneden of the Kel Issekeneren – Arouia Idaoua Ouf Emri (from Tuareg Music Of The Southern Sahara)
00:28:58 Talk break
00:32:09 Yellow Swans – Descent B (from Descent)
00:37:11 Dr. Ronald E. Odom – Side A (from Living In The Red)
00:50:05 John Davis – Superpartner (from Ask The Dust)
01:01:34 Talk break
01:05:14 Summoning – With Doom I Come (from With Doom I Come)
01:16:35 Marisa Anderson – Keep Your Lamps Trimmed And Burning (from Traditional And Public Domain Songs)
01:19:38 Ronnie Davitt – How Great Thou Art (from Do You Know My Jesus?)
01:22:20 Jerry Goldsmith – Main Title (from Damien – Omen II Soundtrack)
01:27:22 The Body – Just, Wretched (from The Body / Whitehorse split)
01:31:26 Talk break
01:34:51 Basalt Fingers – Side B (from Basalt Fingers)
01:36:59 John Hart – Side B (from The Making Of A Marine!)
01:56:10 Unknown musicians from Agbaja – Percussion And Ritual Chants (from Folk Music Of Ghana)
02:01:11 Talk break
02:03:08 Curly Ray Cline – Kentucky Fox Race (from Curly Ray Cline And His Lonesome Pine Fiddle)


 
There’s a new Clint Heidorn record!! Go get it. Also, I played some cool stuff like John Noble talking about his time spent as a prisoner in an arctic Soviet slave camp, men from a Botswana village singing upon their return from a battle to recapture stolen cattle, Gnaw Bone’s intense black noise metal, and the inimitable Uncle Dave Macon.

 
Air date: February 28, 2018

Background music: Loss – When Death Is All (from Horizonless)

00:00:00 Blind Willie Johnson – Trouble Soon Be Over (from Blind Willie Johnson, 1927-1930)
00:02:34 Talk break
00:06:28 Pyrolatrous- The Marrow (from Teneral)
00:14:51 Clint Heidorn – Wild Parrots (from Pasadena)
00:19:41 Koichi Shimizu & Akritchalerm Kalayanamitr – Sharjah And Java (Dilbar / Morse Beat / Ablaze) (from Metaphors: Selected Soundworks From The Cinema Of Apichatpong Weerasethakul)
00:28:58 Talk break
00:34:05 Georgia Kelly – Tarashanti (from Tarashanti)
00:35:24 Indra Devi – Meditation Practice / Meditation (from Concentration & Meditation)
00:53:33 Uncle Dave Macon – Cumberland Mountain Deer Race (from Smoky Mountain Ballads)
00:56:18 Unknown Mochudi musicians – The Hills Of Mourning (from Traditional Music Of Botswana, Africa)
01:00:17 Talk break
01:03:38 Gnaw Bone – Side A (from Scorched Earth)
01:18:33 Carl Michael Von Hausswolff – Part 1 (from Still Life – Requiem)
01:19:25 Drug Addicts Relate To Their Experiences (excerpt) (from Drugs Is A Family Affair)
01:30:11 Talk break
01:33:15 Tarantel – Get Away From Me You Clouds Of Doom (from We Move Through Weather)
01:34:55 John Noble – Part 1 (excerpt) (from Slave 1-E-241)
01:52:07 Laggar Anders, Röjås Jonas, Pål Olle, Björn Ståbi, & Knut Hellberg – Wanderer’s Tune From Boda (from Authentic Swedish Fiddle Music From Boda Village)
01:54:58 Talk break
01:58:31 Calypso Rose – Warrior (from Her Majesty Calypso Rose)


 
Lots of good stuff here including a field recording of a swamp alongside a Japanese Shugendō ritual, the new Yellow Eyes record, and an edited version of a Nixon speech made to sound like a confession.
 

Air date: February 21, 2018

Background music: Author & Punisher – NTG Part 1: Time (from Drone Machines)

00:00:00 Kaustisen Purppuripelimannit Joht. Konsta Jylhä – Konstan Parempi Valssi (from Konsta Jylhän Juhlakonsertti)
00:03:31 Talk break
00:09:34 Aelter – Hope Eternal (from IV: Love Eternal)
00:21:06 Sonny Boy Williamson – Little Village (from Bummer Road)
00:33:10 Talk break
00:36:30 Lubomyr Melnyk – Cloud Passade No. 3 (from Three Solo Pieces)
00:39:37 Roy Masters – Lesson 3 (from How Your Mind Can Keep You Well)
00:55:00 Unknown Kathmanduite musicians – Giyalary (from Songs And Music Of Tibet)
00:57:09 Talk break
01:00:22 Yellow Eyes – Old Alpine Pang (from Immersion Trench Reverie)
01:08:10 Yamabushi Of The Shuken Sect At Shogoin Palace – Chanting Of Morning Services: Hokesampo Sutra; Hannyashingo, Zen Heart Sutra; Kito, Prayers For Peace And Security (from Japanese Temple Music)
01:09:08 Peter Kilham – Side B (from The Swamp In June)
01:31:51 Talk break
01:35:02 Midori Takada – Catastrophe Σ (from Through The Looking Glass)
01:36:20 Forrest McCullough – Side B (from Flight F-I-N-A-L: A Dramatic Comparison To Death)
01:53:37 Irv Teibel – The Speech (from The Altered Nixon Speech)
01:55:37 Cisco Houston – Pie In The Sky (from Cisco Houston Sings Songs Of The Open Road)
01:58:43 Talk break
02:01:29 Josh White – Like A Natural Man (from A Josh White Program)


 
I’m back! Picked up some sweet records while on my road trip like James Baldwin & Time Machines, also have a brand new super limited CC Hennix release that I mixed with a sarangi raga.
 

Air date: February 7, 2018

Background music: Billy Gomberg – All Right (from Slight At The Contact)

00:00:00 Guy Carawan – Sinner Man (from Songs With Guy Carawan)
00:01:52 Talk break
00:06:05 Usnea – A Crown Of Desolation (from Portals Into Futility)
00:25:01 Lord Burgess And His Sun Islanders – Jamaica Farewell (from Calypso Go Go)
00:27:39 The Lithuanian Opera And Ballet Theater – Matchmaker’s Polka (from Lithuanian Songs And Dances)
00:30:26 Talk break
00:34:39 Time Machines – 7-Methoxy-β-Carboline: (Telepathine) (from Time Machines)
00:36:20 James Baldwin – Side B (excerpt) (from Black Man In America)
00:57:15 Gnaw Their Tongues – Hold High The Banners If Truth Among The Swollen Dead (from Hymns For The Broken, Swollen And Silent)
01:02:14 Talk break
01:07:04 Catherine Christer Hennix – Rag Infinity (from Live At Krems)
01:11:00 Ram Narayan, Mahapurush Misra, & Shirish Gor – Nand-Keda (from Sarangi / The Voice Of A Hundred Colors)
01:28:39 Talk break
01:31:34 Boris – Dystopia -Vanishing Point- (from Dear)
01:42:56 Hamza El Din – I Remember (from Escalay / The Water Wheel)
01:54:37 Fis & Rob Thorne – Phase Transition (from Clear Stones)
01:58:05 Talk break
02:00:53 Smokey Hogg – I Bleed Through My Soul (from Original Folk Blues)


 
Lots of good shit in this episode, including a couple metal records that ended up on my year end list, my favorite weirdo Joseph Spence, and sound samples of how people with hearing loss hear things alongside Jefre Cantu-Ledesma.
 

Air date: January 17, 2018

Background music: Samantha Glass – Seasonal Seductions (from Mysteries From The Palomino Skyline)

00:00:00 Unknown Peloponnesean musicians – The Earth, Kyra Yioryena (from Folk Music Of Greece)
00:05:30 Talk break
00:09:24 Eye Of Nix – A Hideous Visage (from Black Somnia)
00:17:59 Buell Kazee – A Short Life Of Trouble (from A Short Life Of Trouble)
00:20:48 William Onyeabor – Why Go To War? (from Who Is William Onyeabor?)
00:29:48 Talk break
00:33:14 Jefre Cantu-Ledesma – Songs Of Forgiveness I (from Songs Of Forgiveness)
00:34:39 Earl Harford – Side B (from How They Hear…)
00:52:44 Bathsheba – Conjuration Of Fire (from Servus)
01:00:17 Talk break
01:03:45 Hedy West – The Brown Girl (from Hedy West Accompanying Herself On The 5 String Banjo)
01:08:54 Various Breton musicians – Songs B4.1-B4.4 (from World Library Of Folk And Primitive Music: France) (see Discogs for more song details)
01:13:55 Grayston Burgess, Gerald English, John Frost, Owen Grundy, Robert Tear, & John Whitworth – Deo Gracias Anglia: Owr King Went Forth (1415-1421) (from Medieval English Lyrics)
01:14:52 Ustad Ali Akbar Khan – Slow Gal In Tintal 16 Beats (Jor) / Fast Gal In Tintal 16 Beats (Jhala) (from North Indian Master Of The Sarod)
01:20:56 Lewis Carroll adapted and directed by Howard Sackler – The Queen’s Croquet-Ground (from Alice In Wonderland)
01:28:56 Talk break
01:33:52 Joseph Spence – Conch Ain’t Got No Bone (from Happy All The Time)
01:37:38 Steve Reich – Sextet (excerpt) (from Sextet – Six Marimbas)
01:39:20 Herbert Spiegel – The Exercise And Strategy (from Stop Smoking)
02:00:24 Talk break
02:02:35 Sonny Terry – Old Woman Blues (from Talkin’ ‘Bout The Blues)


 
I think the Robedoor & Abba Eban layering worked particularly well, but I’m most excited about the Reese Williams record and The Angelic Process discography boxset that arrived in the mail the day before the show. The Williams LP is easily one of the coolest things I own, thanks to my wife who got it for me as a gift.
 

Air date: January 3, 2018

Background music: Nicholas Szczepanik – Nostalgia (from We Make Life Sad)

00:00:00 Sonny Boy Williamson – The Sky Is Crying (from A Portrait In Blues)
00:03:17 Talk break
00:07:37 The Angelic Process – Sigh (from We All Die Laughing)
00:17:50 Mighty Terror – Hello Joe (from Cavalcade Of Calypso)
00:20:50 Patrick Cowley – Megatron Man (from Megatron Man)
00:29:53 Talk break
00:35:18 Reese Williams – Part Two (from Sonance Project In Two Parts)
00:37:26 Geoff Mullen & Keith Fullerton Whitman – Side A (from July 19 2006)
00:54:44 Unknown Javanese musicians – Senggot (from The Javanese Isle: Javanese Gamelan Music)
00:59:17 Talk break
01:02:19 The Angelic Process – Coma Wearing (from Coma Wearing)
01:11:38 Robedoor – Parallel Wanderer (from Too Down To Die)
01:13:13 Abba Eban – Side A (from Israel’s Finest Hour: Address Before The Security Council Of The United Nations, June 6, 1967)
01:33:53 Talk break
01:38:00 Meryl Streep & George Winston – Side B (from The Velveteen Rabbit)
01:41:42 Pyramids & Wraiths – Magpie & Raven (excerpt) (from Magpie & Raven)
01:58:49 Talk break
02:00:55 The Seegers – Wedding Dress Song (from American Folk Songs)